Critics’ rating: 3.5 / 5.0
3.5
Well, we can say this: Spencer and Alexandra’s personal travelers are still going on, and their love is still not weakening.
Everyone else was not going well.
I’ve linked to a full review of Season 2 Episode 2 of 1923, just like the TV fanatic past, so be sure to click if you want to check it out. Don’t expect anything fancy though!
No matter where (or when) you are, the winter in the north can be frustrating and frustrating, but it can be worse when you are so off the beaten path that even a trip to a chicken coop or a root cellar is dangerous.
Cara and Elizabeth were left to feed themselves, and I could only imagine their fates being sealed by bad weather.
Things got bad enough for Donald Whitfield that it seemed stupid to keep them alone, but Whitfield and his pose were more likely to wait for the winter and then dared to bring the fight to their home again.
I didn’t know much about Montana in 1923, but I can say that even in the 1977 Pittsburgh suburbs, Winter was cruel. Suburbs of Denver in 2009? I don’t like high breasts and snow. If you put me in the middle of nowhere like Yellowstone, I would be glad to be like Elizabeth.
You know, things were particularly bad when animals that still had a healthy fear of humans crouched on the porch and attacked chicken coop in 1923. If they are more afraid of death than humans, then humans will end up on the menu.
This is not even fair if you consider it.
People eat animals, so expect animals not to eat humans to give them a little more agents than they do. Fear is the only factor that puts humanity on the food chain and seems to have exhausted this Montana winter.
But what about Elizabeth? Is the wolf doing her or will she survive?
If it were Elizabeth in the middle of the cold floor, her intestines chewing on the wolf, it would take a miracle for her survival. You can’t survive something like this, especially when you have lost your will to fight.
She was shot next to herself by rabies (not me blamed her), so she looked up and pushed herself to the edge after the attack.
Elizabeth was not made for Dutton’s life. When she said “yes” to Jack’s proposal, she was still young, without two parents who loved her. Donald Whitfield is not farming, and the people in the town are not picking people up on the street because they love the “wrong” people.
Surviving in the West requires a certain fighting spirit, and even if you ask it, survival, let alone prosperity, cannot be guaranteed.
We watched the Duttons embrace the West since 1883.
We also see what it lives, starting with the premiere of James Dutton’s sister, drawing life from Elsa, then James and Margaret. John and Emma are next, now Elizabeth.
Many of them have the fiery spirit they need to survive in the West, and they still find death earlier than most.
We have long wondered where the modern home line started, and if Elizabeth died, we wouldn’t want to know anymore. Alexandra and Spencer gave life to Duttons, who we know very well from Yellowstone, and Beth perfectly combines their nature, which would make more sense.
Nevertheless, Elizabeth’s death will put the family in a darker frame of thought. It’s better to say that if she’s gone, they need to bring sadness to someone and they may not even wait for winter to do it.
The banner is afraid of Whitfield, but he is better afraid of Dutton first. They can find reasons to keep him alive. I doubt Whitfield would do the same.
If Elizabeth’s arc wasn’t bad enough, Zane and his family wouldn’t be better. Jacob offers to bring them in and protect them, but after returning Zane to health in what happened to Elizabeth, it will take many families away.
However, they need allies and if Zane can spend it mentally and physically, he will prove his worth.
Spencer and Luca arrive in Galveston, but there is a price for Spencer to save Luca and give him a good deed to his family.
Luca’s cousin Cugino brought Spencer into the piracy business and asked him to deliver a whiskey to Fort Worth. He could leave his truck with trouble, but if we know nothing about 1923 it would look as easy as it would seem.
My favorite scene this hour was my first time watching Spencer experience pizza. It wasn’t enough to get him out of his mission of returning home and saving his family, but that’s what I have.
Alex was in the belly of a ship, throwing and turning to the savage sea. She clutched Spencer’s love, imagining him staring into her eyes, pulling her closer, and giving birth to more babies.
I was surprised that she looked good compared to other passengers, especially since she was pregnant. That is the power of love.
Because of all this pain, she is a beacon of light, sticking to the possibility before her, happily unaware of reality.
We also first watched Jennifer Carpenter as Mamie Fossett. Mamie didn’t impress her with Renaud and Marshal Kent, but she wouldn’t be fussy about their search for Teonna either.
Father Reno once again showed signs of humanity, talking about interracial marriages and making sure Kent had no other problems with the locals, rather than their willingness to accept God and his place in his plan.
It wasn’t an exciting recognition of his humanity, but he had more than a piece of fragments, and Kent and Whitfield didn’t.
Teonna wisely visits another reservation, knowing they are embedded with police and priests. Running his horse would take that into account, but he might use her face to spy on the flyer on his face anyway.
I fixed the future of Thomas Rainwater to Teonna, so I didn’t worry too much about her life. Pete and his horses might find trouble, and Teonna’s happiness is certainly on the line, but hopefully not her life.
Of course, Jacob, Jack and Zane’s family were away from their hometown in the snowstorm, hiding under the capsized van. All I can think of is the van being covered in snow, all of which died from oxygen deprivation.
If the snowstorm is a lot, there may be more deaths. Zane looks like death before her journey. Meeting his manufacturer doesn’t seem to take much.
Was Elizabeth really just alive by the fanatical wolf? Did Duttons just experience another vibrant young woman being knocked down by the West? It doesn’t look good.
So, yes, this is another joyous plot in 1923. What are our expectations for “rapists are winter”? Let’s say “wrap you in horror” is unlikely to lift us out of this darkness.
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