10:23, Tue Aug 04, 2026 (GMT+7)
Pressure from the interruption of the August 2026 filming schedule forced actress Trieu Lo Tu to find a new direction to protect her professional reputation.
Searching for scripts and personal brand pressure
According to Chinese media, Trieu Lo Tu’s representative office publicly calling on screenwriters to submit scripts for cooperation shows certain difficulties of the actress born in 1998. After a fairly long absence from the screen, she no longer maintains the top priority position for producers and directors as before.
Although she wants to switch to deep social psychological roles when she turns 30, in fact, Trieu Lo Tu is facing a shortage of suitable projects. In addition, her appearance at some music events abroad recently has also received mixed feedback from the public, saying that the actress is dispersing re
Impact from contract and working rhythm upheavals
The stagnation in Trieu Lo Tu’s career partly stems from conflicts arising with her former management company from mid-2025. Contract disputes leading to large compensation and brand risk have significantly affected her personal image.
Along with that, having to temporarily suspend the “Lover” project due to health problems, combined with careless statements on live broadcast, made production units more cautious. The fact that the script was close to filming but not yet completed both reflects the market’s haste and shows the caution of investors towards her new project.
Proactive effort in content and the problem of returning to the screen
The move to launch a campaign to receive original scripts by Trieu Lo Tu’s office is seen as an active effort to remove difficulties. The orientation towards stories about female perspectives, maturity and reflecting social reality along with a clear cooperation mechanism has attracted the attention of many freelance screenwriters.
However, in the context of actors of the same age continuously releasing new works, Trieu Lo Tu’s model of self-searching for scripts still faces the problem of legal management and production operation capacity.
Returning to the studio after nearly 500 days of absence is not only an opportunity for her to reaffirm her ability, but also a challenge in regaining trust from the public and professionals.
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