The role that once lived in the hearts of readers (shaped by personal imagination), now embarked on the screen, changed by the director, writer and actors. Some people have no recognition; others seem to be pulled directly from the page. But the change will never be neutral. This is always a negotiation.
From page to screen: translation challenge
Literary breathing is different from television. The novel is the idea of the character, and the internal contradictions and doubts provide space. But in TV adaptation, the camera determines what the audience sees. The subtext must be externalized. Actions are usually replaced by internal provinces. Dialogue extension. Some details evaporate. Bring Sherlock Holmes. Detective-brave, transcendence of Arthur Conan Doyle, ARTHUR Conan Doyle, has been conceived dozens of times. In the BBC’s Sherlock (2010), he is a social perverts who are proficient in modern technology. In elementary school (2012), he re -impressed it in New York, and his drugs used to explore more psychological depth. Primitive Holmes does not need to send text messages, GPS or DNA analysis. Without them, today’s version cannot be run normally. The world has changed. Holmes followed.
Then is Elizabeth Bennet.骄傲和偏见的挚爱女主人公传统上演奏(Pride and Perjudice,1995),现代化(Bridget Jones’s Diary,2001年),甚至被扔进了僵尸世界(Pride and Pride and Perjudice and Zombies,2016年)。 Essential-wit, independence-usually exists. detail? not much. If you want to better understand their roles and complexity, then you are still better to read the original novel. In addition, you can read free novels online today. Sometimes you can even expand your understanding of the world through other free novels of the same type. For example, reading free werewolf romantic books can help you better understand the differences between races, taboo complexity of love and the power of family relationships. You can regard these Android and iOS novels as entertainment, everything else is a good reward.
When the character rewrite to achieve modern sensitivity
TV must attract contemporary audiences. This means update-sometimes subtle, sometimes radical. Things that have been accepted or unbound in the literature usually need to be revised on the screen.
Consider Atticus Finch to kill a more bird. The 1962 film adaptation version described him in the novel found in Harper Lee’s novel that was also unshakable. But Go set up a watchman (2015) (later discovered manuscript) and introduced him with the tendency of racism. If you kill a ignorant bird today, which Etix will we see? Then there is the issue of gender and race. Traditionally, Anne Boleyn was portrayed by countless adaptations, but in 2021, Anne Boleyn mini-series played the black actress Jodie Turner-Smith The role. Some viewers found that this was pioneering. Others resist. However, it is re -considering historical figures, even literary characters.
Expansion of Paral
TV is booming on the ensemble actor table. A novel may be centered on a protagonist, but a series often expands the world. The side character gets new arcs, new motivations, and sometimes even the entire background story that has never existed before.
Bring a little woman Margaret “Meg” parade. Traditionally, she is the most convincing among the four sisters. But in Greta Gerwig’s 2019 movie, she gave her more emotional weight-her sacrifice, choice, quiet desire for different lives. The audience saw that she was not just a “responsible person.”
Or watch “Game of Thrones”. George Rr Martin’s “Ice and Fire Novels” (Ice and Fire Novels), but HBO’s adaptation pushed some characters to Bronn, Missandei, and minimized to the greatest extent. Arianne Martell, Lady Stoneheart. Some people, such as Jaime Lannister, evolved into richer things-his redemption has deepened the screen. Others, such as Daenerys Targaryen, suffered a hurry to tell stories.
The rise of anti -heroes
TV audiences like moral complicated characters. Literature has been exploring anti -heroes for a long time, but on the screen, they usually become more subtle. Consider Hannibal Cut. In “Red Dragon” (1981) and “Silent of the Lamb” (1988), he is a terrible genius and a dark character. But in the NBC Hannibal (2013), Mads Mikkelsen’s portrayal made him more seductive and even sympathetic. He is still a monster, but now he is a charming monster.
Or look at Joe Goldburg. In the book of Caroline Kepnes, he was disturbing-his narrative was full of threats. The Netflix series is incorporated into it, but the performance of Penn Badgley also injects humor, correlation, and even fragile moments. Maybe readers may be despised? The audience sometimes takes root for him. The developed anti -heroes in the novel are roles with different views, goals or ideas, and readers can often sympathize. If you read novels online and are morally close to anti -heroes, then you are not only reading another novel online, but also a truly deep novel. If you turn to the FictionMe FictionMe platform, it is not difficult to find such novels. Here, you can share opinions, get suggestions, and discuss the ups and downs of heroes or anti -heroes.
What the audience wants: number speaks
Adapt to pushing the audience. A study of Parrot Analytics found that the book -based TV series based on book -based TV series is 53 % more than the audience generated by the original content. People like to see familiar stories, but they also want new stories.
Consider:
Netflix’s Bridgerton (2020) adapted the romantic novel of Julia Quinn, but changed the racial dynamics and increased the diversity of the book. At that time, it became the most popular series of Netflix, and 82 million households were adjusted within a month.
HBO is our last (2023). Based on video games, it is loyal to its original materials, but it expands the character arc. Its premiere has attracted 4.7 million viewers, the second largest appearance since the proud house.
Amazon’s “Wheel of Time” (2021) completely changed the book of Robert Jordan. Some fans embraced it. Other people BALK. But this is still one of the biggest fantasy songs in the main video.
Conclusion: a new chapter in literary characters
TV adaptation is not just translation, their conversion. A role born in one era may reshape another era. The effective method in the novel may not work on the screen. When some fans fouls, others celebrate them.
To be sure: as long as literature exists, TV will continue to conceive. And audience? They will continue to watch.