The story of the maid Having become one of the most fascinating and emotional shows on TV, its cast acts as some of the most powerful performances you see on screen. Amanda Brugel and Madeline Brewer– Two of the outstanding stars of the series – showcases the feeling of sneaking into the darkest moments of the show, how they are emotionally prepared and why Madeline chose no Read the full script.
In the interview, they talk about how to get close to emotionally heavy scenes, their amazing ways to watch themselves on screen, and even help them take advantage of the right headspace song.
This was last season, did you devour every script when you let them figure out what would happen?
Amanda Brugel: My answer is the opposite, yes, I did read the script.
Madeline Brewer: I don’t read them. I read what I need to know. But, for example, after Season 3, I never actually interacted with you.
Amanda Brugel: No, we only have two scenes throughout the show.
Madeline Brewer: So I really don’t need to read the RITA situation because I can watch it. So I read what I need to know and then I watch other people and I’ll see the show at that time. It’s actually fun because I can be a fan and a participant at the same time.
Do you like to look at yourself?
Amanda Brugel: No.
Madeline Brewer: I mean, one point. Well, I don’t like actors when actors like “I hate to look at myself,” but I thought, ‘Oh, that’s so cool. I’m very happy.
Amanda Brugel: When I look at it, I never make a bullshit. Do you know what that is? I always play such a strange character…I don’t want to do something, if I don’t like how I look, I’ll change it, otherwise I’m self-engagement or try to tilt myself in a different way. So I try not to watch it for this, because a girl has a self.
There is a line on the beach between us. There are casts that will run to the monitor to watch their shots, I won’t name the people, but there are some. Then those of us would hide under the furniture and not watch, so I wasn’t watching.
Madeline Brewer: I can’t watch it in the process. I can watch it at the end. Once I’m done, I can watch it and there’s nothing I can do about it.
Things on the show have taken a dark turn and now they are getting darker. What experience do you play in those dark scenes? Are you the type of actor that can turn it on and off and stay away from it?
Madeline Brewer: I think it depends on my scenario. There was a scene this season where I had to go home and it took some time. I think it’s like episode 7, episode 8? It takes me a while and this rarely happens to me, like my whole body is ignited because as an actor, your body doesn’t know what is real and what is fake. It just knows what it knows and what it is experiencing.
But it’s not often because we’re kidding and we have a great time.
Amanda Brugel: Many of us rely on music. And, because I have relied on the same song for the past eight years, the memory of the feeling inside me immediately starts crying or feeling sad once I hear it. I think it’s my own life, but it’s also the sadness of this character. Very strange. And if I hear this song on other TV shows, I’d be angry about them playing my song, but I feel like I’m playing now. Like this is a good memory trick.
Can you tell me what this song is?
Amanda Brugel: It’s the biggest Richter, About the nature of sunlight.
