Bad Bunny’s “Debí Tirar Más Fotos” Songs Ranked From Worst to Best

Inspired by the Close Friends option on Instagram Stories, Bad Bunny delivers a certified anthem for a new generation of reggae fans. Here, he sings about not being able to get over his ex because she still has him among her “close friends” on Instagram — which gives him almost false hope. “How can I do well if you don’t take me off ‘Close Friends’?” he sings, visibly heartbroken over catchy reggae drumbeats. “I spent time stalking you to see what you were doing. Fascinated until I forgot about you.

The song’s eerie opening – accompanied by a mesmerizing güiro (a folk instrument) – draws you in immediately. “Bad Bunny” vividly sings about protecting Puerto Rico at all costs, fearing it will become a U.S. state like Hawaii. “They want to take away the rivers and the beaches, they want my neighbors and my grandma to leave and not let go of the flag… I don’t want them to go through what happened in Hawaii with you,” a somber Bud said.

Produced by MAG and La Paciencia, “Bokete” has an ethereal, shoegaze essence that casts a spell over the listener through its slow tempo, while Mick Coogan’s guitar work weaves a heavenly melody. One is reminded of “Trellas” from “El Último Tour del”. Halfway through the song, the song takes a quirky tempo shift that still maintains its haunting charm. The lyrics reflect the ever-changing seasons, “Although it’s always summer in PR, I feel cold listening to these songs,” emphasizing the wintry emotional landscape explored in this introspective song.

In true Benito style, he delivers a classic reggaeton song whose infectious beat captures the essence of heartbreak. In the song, Bad Bunny vividly recounts the transformation of a woman he once knew who has now embraced a vibrant nightlife filled with partying and excitement in clubs. The beat pulses as the rapper reflects on how she continues to move forward, fully immersing herself in the party atmosphere. He admits his nostalgia and longing, knowing she’s not good enough for him.

Taking its name from a traditional Puerto Rican rum, Pitorro de Coco inspires the holiday spirit with the infectious rhythm of jíbara music, a genre steeped in Afro-Caribbean heritage. The song delves into the feelings of loneliness and nostalgia that often accompany the holiday season, with an interlude from Chuíto el de Bayamón’s “Música Jíbara Para Las Navidades.” In one poem, Bad Bunny captures the emotional dichotomy of the holidays: “It’s 12:04 and I’m already crazy/Crying and drinking from the cacao tree/My grandfather brought it to me so I could have fun/Not To make me cry beyond a 12-year-old girl,” he sang.

pay tribute subtitle reggae music“EoO” takes listeners back to the early ’90s, when the genre emerged at informal gatherings — mostly at farmhouse (hood). mature twerking The track produced by Tainy is raw and unpolished, giving it an authentic retro feel. “You’re listening to music from Puerto Rico, Cabron/We grew up listening to this […] From the nineties to the forever two thousand,” says Bunny as we wrap up this hard-hitting song.

“EL CLúB” marks first single dual tone multi frequencyalso sets the tone for the show. With lyrics clearly about his ex-girlfriend (“What was my ex-girlfriend doing?”), the song deftly blends heart-pounding house rhythms with traditional Afro-Puerto Rican plenum guitar tones. together. The song encapsulates “a longing for a chapter of life that still holds a special place in memory,” according to a press release. Directed by STILLZ and produced by Benito himself, the music video follows the artist entering an elevator heading to a “club”, surrounded by a swirl of psychedelic images.

The album is predominantly Afro-Puerto Rican folk music, so a couple of the hardcore reggaeton songs here really stand out. “VeLDÁ” ranks among them thanks to a pulsating perreo beat that serves as an engaging canvas for cheeky lyrics about flirtatious exchanges online. “You follow me and I follow you back. You give me a like and I give you two,” Dei V sings at the top of the song. Reggaetón OG Wisin’s unexpected appearance at the end of the song almost leaves a stamp of approval on a new generation. “Who are they? The ones commanding the new generation,” Wising raps.

You’ll find yourself swaying from side to side as you listen to this upbeat, downtempo salsa song by up-and-coming Puerto Rican band Chuwi. Bad Bunny and the band sing about going to a “vueltita” or spinning at the beach in sweet lyrics. “One day with me is all you need, smile and you look prettier,” Benito sings. “With you, I feel different, there’s something there when we look at each other,” Chuwi’s Lóren adds on the bright and uplifting song. Oh, and the ode to Jarabe de Palo’s “La Flaca” is a chef’s kiss.

In the final song, Bad Bunny briefly tells the story of his parents: how they met and gave birth to the now-living legend Benito Antonio Martinez Ocasio (Bad Bunny’s real name). “Applause to mom and dad, because they’re really good,” he said, before turning to an up-tempo salsa song that blends urban and bomba melodies. In “LA MuDANZA,” the rapper tells his success story, but overall, no matter how famous he becomes, he will always be from Puerto Rico. “Nobody can make me leave here/I’m not leaving here/Tell ’em this is my house/Where my grandfather was born/I’m from the P f–ing R,” he sings proudly.

In this energetic party through music, Bad Bunny partners with Los Pleneros de la Cresta (founded in 2013 by Joseph Ocasio Rivera, Joshua Ocasio Rivera, Jeyluix Ocasio Rivera and Josue Roman Figueroa) to host a party for Puerto Ricans A lively celebration plena, infused with contemporary elements. The lyrics “coffee in the morning, rum in the afternoon / We’re already in the street, get off your balcony” evoke the rich local culture and traditions. Filled with irresistible rhythms, the song showcases an array of instrumental sounds that embody the essence of Puerto Rican spirit, culminating in a percussive solo that resonates with energy.

Album title song I should take more photosRoughly translated as “I should take more pictures,” it perfectly combines the bouncy rhythm of modern plena with the pulsing beat of reggaeton. Its verses evoke deep feelings of nostalgia. At the end of the song, Benito poignantly expresses the change in perspective. “We no longer go for movies and chain stores/We look for things that are worthwhile.” This message captures the essence of valuing the meaningful aspects of life over superficial distractions.

“TURiSTA” is the most vulnerable song on Bad Bunny’s album, with its gentle bolero and weeping guitar riffs. “You were a tourist in my life/You only saw the best in me and you didn’t see the pain I suffered,” the Puerto Rican passionately exclaims. The lyrics compare the characteristics of a lost lover (or one who has escaped) to a tourist who only briefly visits and enjoys something beautiful. “You’re here to have a good time, and so are we,” he sings, recalling the good times and what it could have been.

Bad Bunny teams up with Puerto Rican singer RaiNao to create an uplifting piece that blends pereo music with alternative pop. RaiNao’s unique soft highs soar effortlessly above Benito’s rhythmic tones, producing captivating melodies with vibrant beats. Together they tell stories of intense flirtation and describe the deep connection between two people in the energetic atmosphere of the dance floor.

“I thought I’d grow old with you,” the melancholy Rabbit begins the song in his deep voice. After a minute and ten seconds of a dramatic synth intro in which a gentleman says, “One should love with all his strength,” the song transitions into a playful salsa. Accompanied by live instruments such as congas, piano, trumpet and all things jazz, the song tells the story of a man who can’t get over the woman he loves, especially the one who taught him how to dance.

The album begins with a charming tribute to Puerto Rican legend El Gran Combo, blending ancient and modern Caribbean rhythms, touching on cultural references such as Big Pun, the Yankees and Dominican Mets player Juan Soto. “NuevaYol” explores Nuyorican connections, setting the stage for a potential classic from salsa godfather Andy Montañez and Bad Bunny opening with a strong first verse. The melody carries the fervor of “Tití Me Preguntó”, driven by unstoppable dembow and reggae rhythms, ensuring an infectious listen from start to finish.

“I was born here and so was reggaeton,” Bad Bunny says with heartbreaking conviction. Backed by a powerful reggae thump provided by Tainy and Dysbit, the song conveys the raw and pulsating essence of the genre’s origins. “Voy a Llevarte Pa PR” thrives as a celebration of Puerto Rican roots and unrestrained nightlife. This is El Conejo Malo at his most uninhibited and best, rekindling the fiery spirit and freewheeling enjoyment that first made the world fall in love with him and reggaeton music.