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Director James Cameron’s acclaimed sci-fi movie Aliens turns 40 in August. It’s a sequel to Ridley Scott’s claustrophobic breakout hit Alien, made in 1979. Where the original featured one terrifying creature, Cameron’s movie features hundreds – and pits them against a squad of space marines.

‘Here we have a leap in the erosion of our privacy rights through this slick technology that big tech promises will enrich our lives,’ says Ryan Clarkson, one of the lawyers bringing a class-action suit against Meta over its privacy assurances. Illustration: Saratta Chuengsatiansup/The Guardian‘Here we have a leap in the erosion of our privacy…

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Cinematographers test a compact high-speed camera from China at the recent Cine Gear Expo LA 2026 in Los Angeles. RENA LI / CHINA DAILY

The recently concluded Hundred Flowers Awards for Popular Films has set up a dedicated category for AIGC imagery for the first time, receiving 2038 submissions within just one month. Works such as Tales of the Paper Blade in the Wasteland and Hot Blooded Dachen Island have been successively launched on iQiyi, Tencent Video and Youku…

Niu Lai (The Cow is Coming) was almost entirely created by two people. Photograph: PRNiu Lai (The Cow is Coming) was almost entirely created by two people. Photograph: PR

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Runway and Veo lock every clip to 24fps. Kling lets you pick 60. Nobody tells you what happens when you edit them into the same scene.

Actor Tori Thomas on set at the AI studio Promise in Los Angeles filming the studio’s newly announced AI-enabled horror film, Touch Grass. Photograph: Alex Welsh/The GuardianActor Tori Thomas on set at the AI studio Promise in Los Angeles filming the studio’s newly announced AI-enabled horror film, Touch Grass. Photograph: Alex Welsh/The Guardian

The controversy over AI-generated local movies actually tells us something useful about AI, says The Teenage Textbook Movie director Phillip Lim.