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    Home»Cinematography»Crop Factor Cheat Sheet: Full-Frame Equivalent Focal Lengths for Super 35mm, Micro Four Thirds and Super 16mm
    Cinematography

    Crop Factor Cheat Sheet: Full-Frame Equivalent Focal Lengths for Super 35mm, Micro Four Thirds and Super 16mm

    CinemaMix 360By CinemaMix 360August 20, 2024No Comments4 Mins Read
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    Here’s a simple cheat sheet to help you determine the equivalent focal length of any full-frame lens on your Super 35mm, Micro Four Thirds, or Super 16mm camera.

    I wanted to put this together to provide an easy reference for anyone trying to accomplish a specific visual look without the “right” toolset.

    For example, you might like 28mm lens Full frame, but shot with a Micro Four Thirds sensor. This means pairing a camera body with a 14mm lens to adjust for a 2x crop factor.

    Or maybe you just picked up an old 80mm full-frame stills lens and want to pair it with your Super 35 mirrorless camera. In this case, adjusting the 1.6x crop factor will make the lens look closer to 128mm.

    Whatever your technical goals are, the two charts below should serve as a simple reference to help you find the right camera/lens configuration.

    Focal length guide

    I’ve included two versions of the focal length chart below to help with different use cases.

    The first table shows which lens you need to use in Super 35, Micro Four Thirds, and Super 16 formats to get the same field of view as a native full-frame lens. If you have a specific full-frame look and want to replicate it with a smaller sensor, you can refer to this table.

    The second table can be used to easily calculate the relative focal length of any given full-frame lens when paired with a crop sensor camera. You can refer to this table if you have existing full-frame glass and want to determine the equivalent appearance when used with a smaller sensor.

    Keep in mind that some of the equivalent focal lengths listed in these charts are purely theoretical. For example, replicating the look of an 8mm full-frame lens with Super 16 requires a lens smaller than 3mm, which doesn’t exist in that format.

    Likewise, some of the following focal lengths may not be commercially available in the lens market. For example, the 116mm focal length (Super35 equivalent of 185mm) is not a standard lens and cannot be purchased off the shelf. Still, I’ve included these calculations in a table to help you get as close as possible.

    Both tables use the following average calculation for each focal length/crop factor:

    Full frame: 1x

    Super 35: 1.6 times

    Micro Four Thirds: 2x

    Super 16: 3x

    Focal Length Guide: Equivalent Lenses for Crop Sensor Cameras

    This table can be used to determine the equivalent lens required to achieve a similar field of view using a crop sensor camera.

    Lens focal length (full frame) Field of view (full frame) Effect (full frame) Super 35mm equivalent micro four thirds equivalent Super 16mm equivalent
    8mm 180° super wide angle 5mm 4mm 3mm
    12mm 122° super wide angle 7 mm 6 mm 4mm
    14mm 104° super wide angle 9mm 7mm 5mm
    16mm 97° super wide angle 10mm 8 mm 5mm
    18mm 90° super wide angle 11mm 9mm 6 mm
    24mm 73° wide angle 15mm 12mm 8mm
    28mm 65° wide angle 17mm 14mm 9mm
    32mm 59° wide angle 20mm 16mm 11mm
    35mm 54° Ordinary 22mm 18mm 12mm
    40mm 49° Ordinary 25mm 20mm 13mm
    50mm 39° Ordinary 31mm 25mm 17mm
    56mm 34° macro telephoto 35mm 28mm 19mm
    60mm 32° macro telephoto 38mm 30mm 20mm
    65mm 29° medium telephoto 41mm 33mm 22mm
    70mm 27° medium telephoto 44mm 35mm 23mm
    75mm 25° medium telephoto 47mm 38mm 25mm
    80mm 24° Telephoto 50mm 40mm 27mm
    85mm 23° Telephoto 53mm 43mm 28mm
    90mm 22° Telephoto 56mm 45mm 30mm
    100mm 20° Telephoto 63mm 50mm 33mm
    105 mm 19° Telephoto 66mm 53mm 35mm
    125mm 16° Telephoto 78mm 63mm 42mm
    135mm 15° super telephoto 84mm 68mm 45mm
    150mm 14° super telephoto 94mm 75mm 50mm
    185 mm 12° super telephoto 116mm 93mm 62mm
    200mm 10° super telephoto 125mm 100mm 67mm
    250mm 9° Extreme telephoto 156mm 125mm 83mm
    300mm 7° Extreme telephoto 188mm 150mm 100mm
    400mm 6° Extreme telephoto 250mm 200mm 133 mm

    Focal Length Guide: Relative Field of View for Full Frame Lenses

    This additional table can be used to predict the relative focal length produced by each full frame lens when paired with a crop sensor camera.

    Focal length (full frame) Field of view (full frame) Effect (full frame) Super 35mm relative focal length Micro Four Thirds Relative Focal Length Super 16mm relative focal length
    8 mm 180° super wide angle 13mm 16mm 24mm
    12mm 122° super wide angle 20mm 24mm 36mm
    14mm 104° super wide angle 23mm 28mm 42mm
    16mm 97° super wide angle 26mm 32mm 48mm
    18mm 90° super wide angle 29mm 36mm 54mm
    24mm 73° wide angle 39mm 48mm 72mm
    28mm 65° wide angle 45mm 56mm 84mm
    32mm 59° wide angle 52mm 64mm 96mm
    35mm 54° Ordinary 56 mm 70mm 105 mm
    40mm 49° Ordinary 64mm 80mm 120mm
    50mm 39° Ordinary 80mm 100mm 150mm
    56 mm 34° macro telephoto 90mm 112mm 168mm
    60mm 32° macro telephoto 96mm 120mm 180mm
    65mm 29° medium telephoto 104mm 130mm 195mm
    70mm 27° medium telephoto 112mm 140mm 210 mm
    75mm 25° medium telephoto 120mm 150mm 225mm
    80mm 24° Telephoto 128mm 160mm 240mm
    85mm 23° Telephoto 136mm 170 mm 255 mm
    90mm 22° Telephoto 144mm 180mm 270mm
    100mm 20° Telephoto 160mm 200mm 300mm
    105mm 19° Telephoto 168mm 210 mm 315mm
    125mm 16° Telephoto 200mm 250mm 375mm
    135mm 15° super telephoto 216mm 270mm 405 mm
    150mm 14° super telephoto 240mm 300mm 450mm
    185mm 12° super telephoto 296mm 370mm 555mm
    200mm 10° super telephoto 320mm 400mm 600mm
    250mm 9° Extreme telephoto 400mm 500mm 750mm
    300mm 7° Extreme telephoto 480mm 600mm 900mm
    400mm 6° Extreme telephoto 640mm 800mm 1200mm

    Hopefully this guide will be helpful to those researching the best camera/lens pairing for your project.

    If I missed anything or you’d like me to add any other focal lengths, feel free to leave a comment below!

    And don’t forget to check out my full range of post-production assets here.


    For exclusive filmmaking articles every Sunday, sign up for my newsletter here!

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