The best and worst of this album would make George W. Bush’s ears burn.
To be fair, the three big-mouthed California punk outfit, whose back catalog of tracks titled “Geek Stink Breath,” “Platypus (I Hate You)” and “Dominated Love Slave” wouldn’t have been recorded on this album Main candidates.
But that’s what Green Day did when they released american idiot The incident was exposed to an unsuspecting public in the run-up to the 2004 presidential election. The trio’s seventh LP may not have stolen George W. Bush from the White House, but it did top the Billboard 200 in its first week, spawned four Billboard Hot 100 singles, and topped the charts. 23 million copies sold worldwide. It provides some substance to the resurgence of punk pop and actually celebrates an art stuck in a state of arrested development.
In addition to their rage against the machine, frontman Billie Joe Armstrong, bassist Mike Diant, and drummer Trey Cool add their own unique style to this rock opera, with a relatively loose and often Incomprehensible tells the story of a suburban antihero who was “raised on a diet.” Inspired by equally ambitious epics from the likes of The Who and David Bowie, american idiot It was later adapted for the Broadway stage, adding several Tony Award nominations to the album’s already crowded accolades.
“It really made me feel like I could spread my wings,” Armstrong later told me advertising billboard About its huge success. “This proves to me that if you have the guts to do it, you can make it happen. When you have a hunch that it’s time to make a big statement musically, and it gets recognized, it’s the best thing ever Feel.
The momentous announcement first set the 43rd U.S. President’s ears on fire (posted September 21, 2004) Twenty years later, here’s a ranking american idiotThe 13 tracks are ranked from worst to best.
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“Letter Bomb”
Somewhat ironically, Green Day’s only song against complacency (“Where did all the riots go? When your city’s motto was shattered”) is the only instance where it sounds like they’re talking on the phone . insomniacs Beforehand, you will most likely experience a sense of déjà vu. There’s something really cool about “Letter Bomb,” however, as having riot grrrl pioneer Kathleen Hanna voice Whatsername’s kiss goodbye (“No one likes you/Everyone leaves you”) shows The only female character in this saga is also the most brutally honest. Listen here.
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“Give me novacaine”
american idiot One of the most melodic of works takes a most terrifying turn as our antihero sinks further into the depths of drug-addicted despair. In fact, as Jesus sought permanent relief from mental and physical pain, he came perilously close to suicide (“To remove the feeling from my head / A bittersweet migraine”). The terrible Saint Jimmy doesn’t help him either, allowing him to succumb to the dark side. While lyrically powerful, it still lags far behind Eels’ “Novocaine for the Soul” on the fairly niche list of songs about dentists’ preferred local anesthetic. Listen here.
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“She’s a rebel”
The rock opera section requires 8 pieces and takes 30 minutes american idiot Break away from the all-boys club. Still, at least the wait for any women to show up proved to be worth it. “She’s a Rebel” was inspired by all the important women in Armstrong’s life (“From Chicago to Toronto”) and Bikini Kill’s feminist anthem “Rebel Girl.” The surging power pop opens the door to style for motherly revolutionary figure Whatsername, marveling at her tenacity while also suggesting that the instantly smitten Jesus might bite off more than he can chew. (“She is the salt of the world, but she is dangerous”). Listen here.
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“Saint Jimmy”
It’s not hard to see why american idiot Transferred so effortlessly to the Broadway stage. As mentioned above, “St. Jimmy” is another strong introductory song that sums up its character brilliantly in a short and sharp slice of earthy punk rock. Here, the titular freedom fighter gets his moment in the spotlight. He certainly doesn’t waste time, reveling in his reputation for wreaking havoc wherever he goes (“King of the Forty Thieves, I’m here to represent/a needle in the veins of the establishment”) while also sneaking in his take on Robert ·De Niro’s impression is also the best. Listen here.
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“What name”
After delivering an emotional and musical roller coaster, Green Day surprisingly ended their masterpiece not with a bang, but with a quiet moment of reflection. american idiotThe ending seems to take place several years after all the drama, with Jesus wondering the fate of the girl who kicked him to the curb so ruthlessly. Who knows? (Perhaps the imminent arrival of Facebook will help satisfy his curiosity.) Even though it nearly cost him his mind and even his life, Jesus no longer regrets his failed attempt to achieve the American Dream. Listen here.
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“Extraordinary girl”
“Extraordinary Girl” is in charge american idiotThe biggest curve ball, the opening 30 seconds is nothing more than cool tabla playing. Did a record so embedded in American mythology take an unexpected detour into South Asia? Not exactly. It’s unclear what this percussive intro is about, as the song quickly returns to familiar driving rock territory, with Jesus and Whatsername’s respective emotional issues laid bare in a relationship story. “Sometimes he feels like he’s dying/She’s tired of crying,” Armstrong sings, suggesting that the couple may not be in the best shape for an all-conquering love. Listen here.
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“Return”
american idiotThe second and final multi-part suite, “Homecoming,” offers a rare opportunity for Dirnt and Cool to take center stage, with the former expressing Jesus’ lonely state in “Nobody Likes You” and the latter essentially achieving his craziest Wild status “rock girlfriend” dream. Luckily, the antihero finally seems to be coming to terms with his fate – now finding a dead-end office job in the hometown he once fled – a fusion of thrash, folk-punk and old-school rock ‘n’ roll. But the biggest takeaway from the penultimate number is that the naturally threatening Jimmy is now in alter-ego heaven (or, more likely, alter-ego hell). Listen here.
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“Are We Waiting”
Those who grew up watching Green Day play snot punk in toilets may balk at the oddly titled “Are We the Waiting,” a rock ballad that sounds tailor-made for wielding lighters on a multipurpose stage of. But its location near the center line can provide some much-needed calm before the storm. Here, Jesus discovers that there is some truth to the adage “be careful what you wish for” as he stumbles around his new hometown, planning to start a new life, and ultimately concludes that he has been betrayed by an all-powerful lie . Listen here.
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“holiday”
one of only two american idiot In an effort to get deeply political, “Holiday” takes aim at the divisive nature of the Republican Party and the general apathy of the American people. Described by Armstrong as a “big shot” of the Bush administration, the emotion of this third single can be lost amidst speaker-blasting riffs, thunderous drums and incendiary melodies . But whether it inspires you to pick up a sign or just start dancing around your living room, Green Day’s imitation of punk heroes The Clash’s sound is absolutely mind-blowing. Listen here.
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“wake me Up When September Ends”
Often misunderstood as a tribute to the victims of 9/11 and later adopted as Hurricane Katrina’s anthem, “Wake Me Up When September Ends” has nothing to do with any national tragedy. Nor is it designed to reflect the general malaise of late summer. american idiotThe fourth single is actually a more personal affair, in which Armstrong talks about the hardships of losing his father when he was just 10 years old. As you’d expect, the frontman delivers one of his most powerful vocals in a powerful rock ballad that proves Green Day can still compete with the new emo generation. Listen here.
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“Jesus of Suburbia”
“When you write a song like this, it’s like, ‘I can’t go back now,'” Armstrong told advertising billboard about american idiot2004 Core Works. Percussive antics. This five-part suite must also set the scene for all the drama to come. By the end of nine thrilling minutes, we’re all fully invested in the eponymous protagonist’s journey through the big city. Listen here.
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“American Idiot”
Undoubtedly one of the greatest career revival singles of all time, american idiotThe title track instantly transformed Green Day into the most important band of 2004 in just three rave minutes. “American Idiot,” a riposte to Lynyrd Skynyrd’s proud hillbilly anthem “That’s How I Like It,” was the trio’s first Hot 100 hit. Additionally, it received a Grammy nomination and single-handedly made the protest song popular again. Contrary to popular belief, Bush was not the ultimate target of his ire, but rather the conservative news media’s crude coverage of the Iraq war. It remains equally valid and has recently been repurposed as an anti-Trump anthem, giving it new life. Listen here.
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“The Avenue of Broken Dreams”
“Boulevard of Broken Dreams” was hailed as the hangover from the “Holiday” party, and deservedly brought Green Day to new commercial heights, almost reaching the second place on the Hot 100, with global sales reaching 5 million copies, becoming the first song The song that won both awards simultaneously. This quiet yet loud song written by Armstrong while traveling alone to New York perfectly encapsulates the loneliness Jesus felt as he adjusted to his new surroundings. But its shimmering tremolo guitar – oddly reminiscent of the Smiths – and melancholy melodies work just as well outside of the album’s narrative. It’s a rare instance where a band’s biggest hit is also the album’s best song. Listen here.