I love a great crime drama. They rivet, let you ask questions and create problems with things like defective infrastructure.
So from the perspective of a grizzly bear, tired law enforcement, this crime drama sees it as revealing or knocking down something.
Sometimes we look at things from the perspective of “bad guys” to explore the complexity of human psychology, motivations, and how or why someone does what they do.
The arguments in support of British crime drama during adolescence
Most crime dramas like to focus on the “Who Do?” investigation aspect. As viewers, we are trapped in a mystery where we are trying to solve outrageous cases with devout but complex investigators who may or may not follow the book.
Crime dramas often adopt a binary approach of “hero” and “villain” based on the stories they are going to tell.
Even if they try to explore things with nuances, there is still a certain degree of predictability in standard crime dramas.
However, some of the more compelling angles of exploration are not what “who” does, but what “why” because we tend to forget motivations sometimes matter more than anything else.
Adolescence is a four-episode crime drama whose tight but seductive storytelling is fixed on the “why.” Surprisingly, we learn who killed a young girl in the first episode, and even this revelation is as shocking as the series’ opener.
Adolescence is a classic example of the best crime program in the UK in general.
Yes, sometimes it’s frustrating when their short-term seasons are made up of unit numbers – for some, this is often typing.
Adolescence uses all its tools and artistry to tell a provocative story
But when it comes to that, it’s about how many episodes you have to tell the story you want, and instead make sure you convey the story well with the proper method. Do this with the hilt during adolescence.
The most fascinating aspect of this series is the use of a single-camera approach to telling its story. This is totally immersive and disorienting, and one of the most effective uses of this method.
At least not fancy. Adolescence doesn’t seem to feel like it’s impressing the audience or anyone else in this way, or it’s self-praise in the way it’s shot. Instead, it is this provocative way that immerse us in the story.
The best stories on TV are those who make you feel. From the opening moments, I was disoriented and anxious, following these unknown policemen raided the place, guns, ready, scaring everyone in the house.
Its purpose is to make you feel anxious, sympathetic and frankly, ready to defend these unknown people with your last breath to destroy their lives extreme measures.
When they throw a teenage boy in a small frame into a van, the minutes feel like hours, overwhelming to read his rights and talk about the lawyer.
The series won’t be as stupid as it is to treat the audience
The hustle and bustle of the station, the lighting and the whole treatment that seems to be the child is enough to keep anyone on the edge.
We have never known what he did or what was happening during this time.
Some shows will brutally manipulate the audience to show that they can, which is outrageous and insulting.
But there are other shows, such as puberty, which subtly plays our preconceived notions, not pushing them into our faces to teach us lessons or be mean, but because they are truly intended to explore the human condition without judgment.
Adolescence plays a great role, because the habit of protecting this little boy’s criminal justice system begins to gradually change as we understand Jamie is there and see what he does in 4K.
The premiere effectively spent half the plot, which made us sympathize with the kid, just pulling the carpet from under our feet, just like his family, and Father Eddie, to the truth about what Jamie did.
But that’s not even the intention of adolescence, it’s just encouragement of conversations about so many topics, but rather encouragement of incel culture that spreads to young people all over young people, how to expand to misogyny and the harm to young girls, and how we can achieve that.
Adolescence raises questions in exploring many aspects of an uncomfortable problem
Adolescence explores these issues, depriving many of us of the cover of what we see or notice, but don’t know how to deal with it or not. It has no answers; it just asks many questions, so its effectiveness and resonance is disturbing.
What should we do when faced with problems that everyone knows exist, but no one fully understands and solves the key?
Due to this approach, and the subtle negotiations among adolescents over various systems that could lead to the pandemic, the series never felt honest, raw and provocative.
The series resonates because it is so real, from the young kids who sing in the choir to the reality, simple makeup, wardrobe and design methods.
I don’t want to blame any direction during adolescence. It carefully solves many angles of this problem.
Jamie and Katie’s schools, whose overworked and overwhelmed teachers try to get hostile to a group of increasingly hostile selfless students and keep their destructive and rude students in the worst case, honestly portray a broken school system.
Be specific when adolescence cleverly highlights flaws without fixing confusion problems
A tired criminal justice system that no longer distinguishes children from adults, its own problems are on display in the hub of this story.
The role of social media in radical young people is involved, like bullying, but does not imply that it is the center of everything or some form of reason – because it is not.
Jamie’s family is completely normal and happy, but his behavior forces them to re-examine all aspects of who they are and how to contribute to their son’s behavior.
The range of the series puts masculinity (especially toxic masculinity) under the scope, but there is no answer and there is no bombardment of many people with no registered buzzwords.
The relationship between boys and their fathers is specifically examined as a cycle of masculinity and how it can be toxic to the toxicity of violence, which is so complicated with this dynamic.
Adolescence emphasizes this as much as Eddie and Jamie, just as with Di Bascombe and his own son. He admits he never really knows how to connect with his son.
Adolescence puts masculinity and masculinity dynamics below the scope
Katie’s best friend is a great stand-in for women, when even a well-intentioned woman, even a well-intentioned victim, was still looking for “why” to try to determine what the young girl could do to be brutally stabbed, and her culprit in her own death.
It is worth noting that puberty does not spend much time on the victims. In other cases, this is a harmful option, although no one will actually remember the victims outside the victims, only the ones who hurt them.
But the series pursues another storytelling stream here, which is inequality, uncovering something like Incel Culture.
Here, it is convincing to explore the innocent family of this little boy who does something unthinkable and they also discover their victims in a completely different way.
They are forever related to his infamy while trying to be like any decent person, where or how something goes wrong, better things and what happens.
The attention to this outrageous behavior and chain reaction during puberty makes it the primary viewing that you can’t look away.
The series upended expectations in a refreshing, thought-provoking way
And it never wastes a second (even in the long, seemingly harmless moments in the finale plot).
It is fascinating not to focus it explicitly on crime, but rather on how the environment leads to such crimes, or involves growing cultural prosperity.
Adolescence can also produce some of the best performance on the screen for a while. Senior actor Stephen Graham is lofty about it, but it is not surprising to those familiar with his lineage.
But the third episode is the master class showing the enormous talent of young Owen Cooper. It’s still shocking to know that this is his performance debut.
Today, we have considered all the talented young stars, and whether Gen-Z has produced talent among generations of talent, and Cooper symbolizes talent in its most primitive form. He is not only a novice. He is excellent, period.
But even the hard-working fans of crime drama, many of whom come from all directions, adolescence is a totally fascinating one.
Many crime dramas today mistake tough authenticity and bleak darkness for lighting. Or public comments are more exploitative and preaching than striking.
Adolescence has upended all these expectations, and in turn, is the best crime drama of the year. Suspecting that anyone else will approach.
In you, TV fanatic.
Have you watched puberty? What do you think of the short series? Let’s listen below!
Watch puberty online
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