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Browsing: review
‘Beware Boiúna’ is too slow to work as a survival thriller and too restrained to deliver the uncomplicated fun of a giant snake film. The human story is not strong enough to carry the film, while the creature itself is kept out of sight for so long that its eventual appearances eventually exhaust viewers rather…
The Social Reckoning is about what happens when technology becomes powerful enough to disrupt industries, alter human behaviour and influence public discourse faster than society can understand or regulate it
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Movavi Video Editor 2027 is worth shortlisting if you make your own YouTube reviews, vlogs, or tutorials and want help getting an edit into shape. Its most interesting feature is the new Templates library: ready-made arrangements built from smaller, editable Blocks. That structure could be useful when you know what you want to say but…
They’re no muppets … puppets seek revenge on studio executives in Renee Zhan’s short film Dance, Dance, Dance, Dance, featured in V/H/S/MixtapeThey’re no muppets … puppets seek revenge on studio executives in Renee Zhan’s short film Dance, Dance, Dance, Dance, featured in V/H/S/Mixtape Review
Cracking … Galaxie Clear (left) and Marni Duggan in Extra Geography. Photograph: Brock MediaCracking … Galaxie Clear (left) and Marni Duggan in Extra Geography. Photograph: Brock Media Review
Tom Cruise’s performance as a bizarre oil tycoon makes Digger the “weirdest film” he has ever made – and could it be a flop. But there’s much more to this divisive, satirical comedy than viewers might expect, including two high-concept twists.
Since bursting onto the international stage in 1996 with Trainspotting, English filmmaker Danny Boyle has delivered exciting cinema that’s thrilled audiences and critics alike, shifted the zombie horror subgenre (28 Days Later), and earned Academy Awards (Slumdog Millionaire). Last year, he had this critic positively gaga over his re-imagining of his fast-zombie franchise, 28 Years…
I own (and like) the Sony FE 100-400mm f/4.5-5.6, but also have the wonderful 70-200 f/2.8 Mark II, and when I add my 1.4x tele-convertor, I have a 98mm – to 280mm f/4 lens that is faster, small, lighter and sharper than my FE 100-400mm f/4.5-5.6.
Manhunterhas turned 40 and a new ‘Final Cut’ is in cinemas. This will prick the ears of a relative few, because for many, Hannibal Lecter began in 1991 with The Silence of the Lambs, perhaps cinema’s biggest transgressive mainstream hit.