EDITION→
Global
•
USA
•
UK
•
AUNZ
•
CANADA
•
IRELAND
•
FRANCE
•
GERMANY
•
ASIA
•
EUROPE
•
LATAM
•
MEA
Edition : InternationalLanguage : English
HOME
NEWS
CREATIVE LIBRARY
IMMORTAL AWARDS
MEMBER COMPANIES
PEOPLE
JOBS
How LBB WorksPlans & PricingEditorial Toolkit
news
NEWS
CREATIVE LIBRARY
IMMORTAL AWARDS
MEMBER COMPANIES
PEOPLE
JOBS
Login or Register
Creative in association withLittle Black Book
IShowSpeed Brings Big Dip Energy to KFC’s Hot Ranch Spot
lbbonline.com
0
LIKE
ADD TO COLLECTION
25/08/2026
Share
Sovereign Bloc founder Daps directs the spot from ISS <a href="https://cinemamix360.com/2026/08/25/m25-welcomes-ai-powered-creative-film-production-company-aicandy/” title=”m25 Welcomes AI-Powered Creative Film Production Company AiCandy”>Productions, following the influencer who turns a miscommunication about KFC’s Hot Ranch dipping sauce into a cinematic ranch-world comedy
KFC and IShowSpeed enter a world of ranches, miscommunication and straight-faced absurdity in ‘Hot Ranch,’ a new campaign film produced by ISS Productions, directed by Sovereign Bloc founding director Daps and completed in post by No Sushi.
Starring IShowSpeed, the film turns a simple misunderstanding into a cinematic ranch-world misdirect, as Speed hears ‘Hot Ranch’ on a bad phone line and commits completely to the idea before discovering the real brief: KFC’s Hot Ranch dipping sauce.
The film brings together the creator-led energy of IShowSpeed, Daps’ cinematic approach to comedy and No Sushi’s entertainment-focused post-production craft. Across edit, colour and sound, No Sushi helped shape the film’s rhythm, visual world and appetite-driven product payoff, bringing together editor Eric Kissack, colourist Chadwick B. Williams and sound designer Thomas Jøren Nielsen.
While ISS Productions produced the film, the spot carries the creative fingerprints of Daps and Sovereign Bloc: cinematic world building, straight-faced absurdity, and a belief that comedy lands harder when the craft is taken seriously.
The film opens with Speed driving at night, framed in the enclosed glow of his car, before a call from a KFC Executive sends him toward what he believes is a very different kind of Hot Ranch. From there, the spot jumps into a sun-baked Western world, with Speed arriving on a ranch in full orange-and-white cowboy mode, surrounded by horses, denim, models, crew, dust, heat and commercial-set chaos.
The misunderstanding is the engine of the film. Speed has taken the brief literally, throwing himself into the version of Hot Ranch he thinks he has been asked to create. The ranch is treated with cinematic seriousness rather than broad parody, giving the comedy a grounded world to play against. The joke is not that Speed looks foolish. It is that everyone around him allows the misunderstanding to become a fully realised commercial shoot.
When the real product is revealed, the film pivots from ranch fantasy into appetite. KFC buckets, tenders, wings and Hot Ranch sauce take over the frame, with close-up dipping moments bringing the product into the same visual language as the wider ranch world. The sauce is not treated as a separate cutaway or afterthought. It becomes the final destination of the story.
“The projects I get most excited about always live somewhere between sincerity and absurdity,” says Daps. “With this spot, the key was taking the world completely seriously. Speed is not the punchline. The misunderstanding is. If the ranch feels beautiful, cinematic and real, then the comedy has somewhere to fall from.”
That tonal balance sits at the centre of the film. The ranch has the visual care of a fashion film, the confidence of a creator-led comedy and the structure of a classic commercial reveal. Every detail, from Speed’s performance to the ranch styling to the food moments, is played straight, allowing the final product payoff to feel earned rather than simply inserted.
The result is a spot that moves between different modes without losing its internal logic: night-drive setup, creator comedy, Western misdirect, production-set reveal, appetite-led product film and oversized end gag. Each shift has to feel quick enough for Speed’s energy, but clear enough for the audience to track the joke.
No Sushi’s post team carried that tonal balance through the finishing process. Emmy-winning editor Eric Kissack, whose credits include The Studio, Spider-Noir, Veep and The Dictator, brought a deep comedy background to the cut, shaping the spot’s rhythm while allowing Speed’s performance to stay loose, instinctive and unmistakably his own. The edit moves from the contained night-drive opening into the wider energy of the ranch, then tightens around the product, the taste reaction and the final ‘Hot Ranch Big Dip’ payoff.
“Comedy works when the setup is clear and the characters are well drawn, which is not always easy to do in a short piece,” says Eric. “Luckily, Speed is bursting with such sincerity and enthusiasm that my job was just to get out of the way and let him shine. His character is so eager to perform and so eager to deliver something great that you can’t help but root for him. All I had to do was find the moments where I felt myself rooting for him the most.”
That editorial restraint is key to the film’s humour. The spot does not over-explain the misunderstanding or lean too hard into the joke. Instead, it lets the contrast do the work: Speed’s total commitment, the polished ranch-world setup, the calm presence of the KFC Executive and the eventual arrival of the sauce as the thing everyone was really there for.
Colourist Chadwick B. Williams gave the film its warm, tactile ranch-world finish, balancing the dark, enclosed energy of the car sequence with the sun-drenched palette of the ranch. The grade keeps the spot cinematic without losing the immediacy of a creator-led comedy piece, while the Hot Ranch product moments feel integrated into the same world rather than treated as separate food photography.
Sound designer Thomas Jøren Nielsen helped define the transitions between spaces and tones, from Speed’s car and the interrupted phone call to the open-air texture of the ranch, the movement of the set and the close, satisfying sound of food meeting sauce. As the film moves into the product reveal, the sound helps turn dipping, eating and reaction into part of the comedy.
For No Sushi, the project is another example of the company’s belief that the best advertising is entertainment. Founded by Daps and Alexander Jamieson, the filmmaker-first post house is built around editorial talent from film and television, bringing entertainment-grade storytelling craft into commercials.
“This is exactly the kind of work No Sushi was built for,” says Alexander Jamieson, founder and managing director of No Sushi. “It is a brand film, a comedy piece, a creator-led project and a beautifully crafted piece of entertainment all at once. Daps created a world that is ridiculous but treated with real cinematic discipline, and the post had to protect that balance at every stage.”
The spot also reflects the growing overlap between brands, creators, directors and entertainment-led production. With IShowSpeed at the centre, ISS Productions producing, Daps directing and No Sushi completing the film in post, “Hot Ranch” brings together creator culture, advertising craft and cinematic comedy in one campaign.
Rather than placing a creator inside a conventional product ad, the film builds the campaign around Speed’s specific energy. The setup feels native to his persona, the product remains central to the payoff, and the filmmaking gives the whole idea enough scale to live beyond a simple gag.
The result is a film that treats a dipping sauce like a cinematic event, turning a product launch into a ranch-world comedy with its own internal logic.
‘Big Dip Energy’ is not just the closing joke. It is the logic of the whole spot: big performance, big world, big appetite, and a punchline earned through craft.
Creative in association withLittle Black Book
More News from No Sushi
Daps and Sovereign Bloc Build Mockumentary World for FORVR Mood’s ‘Not Your Type’24/08/2026
No Sushi Signs Editor Keith Fraase21/08/2026
Why Editors Will Shape the Next Wave of Branded Entertainment14/08/2026
ALL THEIR NEWS
Work from No Sushi
Horrible Bosses 2 Official TrailerHD
27/07/2026
Role Models Official TrailerHD
27/07/2026
Voyage of Time Official TrailerHD
27/07/2026
ALL THEIR WORK
SUBSCRIBE TO LBB’S newsletterEnter your email
FOLLOW US
Events
DPA + SLA (+ US Add.)
MyLBB Score
About Us
Contact
Editorial Toolkit
Help & FAQ
Privacy Policy
Main Terms & Conditions
Newsletters
Create your own LBB icons
How it works
Plans & Pricing
LBB’s Global Sponsor
