September 20, 2026 12:25 pm
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The 2026 Toronto International Film Festival has come to an end, but not before handing out its coveted People’s Choice Award. This audience honor has been awarded since 1978 and has signaled crowd-pleasing prestige players for most of the century. There were at least five movies that could have won this honor, butJavier Calvo and Javier Ambrossi’s Cannes winner “La Bola Negra”snatched the prize.
The first runner-up was Peter Farrelly’s “I Play Rocky”while Siân Heder’s “Being Heumann” effectively came in third. After a rapturous premiere, “Rocky” was thought to be the frontrunner to win while “Club Kid”and“Wild Horse Nine” were thought to be in the mix as well.
The festival began handing out an International People’s Choice Award winner a year ago, beginning withPark Chan-wook’s “No Other Choice.’ This year’s winner was Simon Stone’s “Elsinore” starring Andrew Scott, followed byLee Chang-dong’s “Possible Love”and Hur Jin-ho’s “The Assassin(s).”
Many awards watchers like to correlate the TIFF winner with a guaranteed Best Picture nominee. In truth, the broad audiences at TIFF do not overlap with the members of The Academy. And many other films win festival audience awards and earn Oscar nominations. That being said, it can be indicative of significant box office potential, although “Belfast” and “Hamlet” are the only two winners to demonstrate that post-pandemic. It should be noted that “La Bola Negra” is the first Cannes world premiere to win this prize since Ang Lee’s “Crouching Tiger, Hidden Dragon” in 2000.
On the documentary front, Barry Avrich’s “Darlene Love: I Know Where I’ve Been”came in first, followed by James Marcus Haney’s “Black Flowers” and Mila Aung-Thwin’s “The Ultra Runner.”
Among juried awards, Theja Rio’s “Angh” won the Platform prize while David Turpin’s “Ancestors” shocked with the FIPRESCI Prize. “Angh’s” win is notable as it now automatically qualifies as a submission for the International Feature Film Oscar. This rule change has now allowed three films that might have been snubbed by their nations to compete for an Academy Award nomination. The others are Turkey’s “Yellow Letters,”which took the Golden Bear at Berlin, and Danish feature “Woman Unknown,”which won the Golden Lion at Venice earlier this month.
The complete list of this year’s 2026 Toronto International Film Festival award winners is as follows:
People’s Choice Award presented by Rogers: La Bola Negra, dirs. Javier Calvo and Javier Ambrossi
First runner-up: I Play Rocky, dir. Peter Farrelly
Second runner-up: Being Heumann, dir. Siân Heder
International People’s Choice Award presented by Rogers: Elsinore, dir. Simon Stone
First runner-up: Possible Love, dir. Lee Chang-dong
Second runner-up: The Assassin(s), dir. Hur Jin-ho
People’s Choice Documentary Award presented by Rogers: Darlene Love: I Know Where I’ve Been, dir. Barry Avrich
First runner-up: Black Sunflowers, dir. James Marcus Haney
Second runner-up: The Ultra Runner dir. Mila Aung-Thwin
People’s Choice Midnight Madness Award presented by Rogers: Ladies and Gentlemen, Brian Mulroney, dir. Matthew Rankin
First runner-up: The Spiral, dir. Paolo Strippoli
Second runner-up: Arrested Memory, dir. SABU
| PLATFORM PRIZE
Platform Prize: Platform jury’s statement: “The Platform Prize goes to Angh. For its refreshing perspective, strength of filmmaking, and deeply resonant portrait of a world. We praise the filmmaker’s vision, audacity and courage.” Special Jury Award: Platform jury’s statement: “We would like to recognize Brace Your Heart with an Honourable Mention. For how its apparent simplicity reflects the complex nature of the world today, its powerful central performance and beautiful visual journey.” SHORT CUTS AWARDS Short Cuts Award for Best International Short Film: Short Cuts jury’s statement: “We were struck by the audacity of a film willing to expose what we would rather not admit about ourselves and concepts we thought we were comfortable with. Bold, visceral, and formally assured, it explores the toxic relationship we don’t examine enough with those around us. It takes the grotesque and makes it disturbingly relatable, forcing opposing sides of a double standard into the same frame. What first feels extreme slowly reveals itself as something much more unsettling: a reflection of our own behavior, and of a society whose contradictions urgently deserve to be challenged.”
Honourable Mention: Short Cuts jury’s statement: “We wanted to give an Honourable Mention to a film that took us on a completely different kind of ride: a delightful mashup of melodrama, action and comedy that reminded us of the pure joy of making and watching cinema. Executed with remarkable precision in both filmmaking and performance, it turns family dynamics into something heightened, absurd and unexpectedly revealing. We were especially struck by how original it felt without ever seeming to chase originality. Choices that many filmmakers might hesitate to make were handled with such confidence and ease that the film created its own singular tone, full of personality and completely free of pretension.” Short Cuts Award for Best Canadian Short Film: Short Cuts jury’s statement: “A film that is at once gripping and cautionary, offering a sharp dissection of inherited masculinity and ambition. We were taken by its enigmatic and electric journey, and by the unique way it blurs performance and reality, making it almost impossible to disengage from the screen.”
Honourable Mention: Short Cuts jury’s statement: “A film that helps us address another shameful and traumatic experience we fear to share. Disturbing but vital, it confronts the sexual exploitation of teenagers and the social and economic forces that allow it to happen. With remarkable confidence, the film builds and sustains an unbearably tense and terrifying atmosphere, demanding that we pay attention to a reality too often kept out of sight.”
Short Cuts Award for Best Animated Short Film: Short Cuts jury’s statement: “This film is a venue where ridiculous meets the profound. It is a surprisingly emotional comedy about friendship and finding love in unexpected places. This confident hybrid of live action and animation is unapologetically primitive and loose. Which, in an era of AI smoothing, that roughness only makes its humanity feel more present.”
Honourable Mention: Short Cuts jury’s statement: “We shared the joy of discovering a film that knows how to be poetic and surreal without becoming overwhelming. It creates a delicate allegory of death and loss while giving us the space to sit with those emotions. Its animation is crisp and full of detail, but never calls attention to itself at the expense of the story. The style serves the film’s quest to connect rather than competing with it.” FIPRESCI PRIZE FIPRESCI Prize: FIPRESCI jury’s statement: “In this story of lost people finding each other, we saw an extraordinary command of translating the dreamy landscape of memories and recollections into compassionate cinematic language. It immersed us in someone else’s life, a time of love and turmoil, a past that returns through photographs and memories to haunt, bring longing, and give hope at once.” NETPAC AWARD NETPAC Award: NETPAC jury’s statement: “Against unfolding genocide, Thirteen in Gaza by Hosam Abu Dan turns suffering into neither spectacle nor victimhood, but into riveting images of life in all its complexity. A brave, intimate film that announces a major new voice in cinema.” BEST CANADIAN DISCOVERY AWARD Best Canadian Discovery Award: Canadian Discovery jury’s statement: “Smudge the Blades is electric. It carries heart and humour in equal measure, while never shying away from the challenges faced by Indigenous communities caused by the ongoing treatment of Indigenous people and colonization of Indigenous lands. Rooted in joy and resilience, Smudge the Blades challenges familiar genres by placing Indigenous voices at the centre of a story filled with hope, offering a radical path forward. Cody’s deeply empathetic directing and his eye for character, has resulted in a film that is propulsive, funny and furious. An assured sophomore feature about family, ambition — and the transformational power of community.”
Honourable Mention: Canadian Discovery jury’s statement: “A childhood impacted by settler ideology is unpacked through painful memories and the striking use of archival images. For its sensitive, brave and challenging formal dexterity, showcasing a nuanced depiction of the systematic erasure of Palestinian histories while delicately threading the needle between personal and political, we award The Black Box is Orange with the Honourable Mention for this year’s Discovery Award.” BEST CANADIAN FEATURE FILM AWARD Best Canadian Feature Film Award: Honourable Mention: |
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