Browsing: have

AI filmmaking, creative freedom, digital filmmaking, experimental cinema, filmmaking ethics, filmmaking technology, generative AI, horror cinema, Indie Film, low-budget filmmaking, Ronni Thomas, Von Cosel

If you like taking pictures with your iPhone then it’s always fun to finding new tricks to try with the native camera app.

The soundtrack for Todd Haynes’ Velvet Goldmine doesn’t feature any tracks by David Bowie despite the fact that he was a major influence for the film, but the album is still a tremendous celebration of glam rock full of originals and covers – with music from Lou Reed, T. Rex, the New York Dolls and…

UA NEWS14 October 2026 21:48

Are we in a golden age of horror? Even if the Terrifier franchise is still kickin’? A flood of low-budget horror movies like Barbarian and Obsession have dominated your friends’ Letterboxd reviews over the last few years and brought viewers back to theaters in droves. With the genre scaring up success at the box office,…

Advice struggling actors sometimes get is to write for themselves. Of course, they may not have the chops to do that, but in the film industry there are indeed actors who also write, and successfully at that. Yes, sometimes they write their own movies, but some also have screenwriting careers not based solely on their…

I help faculty and staff in the Faculty of Native Studies build confidence in using our digital tools. Drawing on my background in education and human-centred design, I empower people to navigate platforms such as Canvas, explore practical ways to use AI and streamline everyday workflows. My goal is to improve our digital dexterity by…

It was previously reported that Tommy Lee Jones would be making a rare TV appearance in this next season of FX’s The Lowdown. It was not yet known who Jones would be playing, but now we see he and Ethan Hawke mix it up as father and son. This will mark Lee’s first TV series…

The AI boom has, unsuprisingly, coincided with the bleeding of creative jobs in the U.S.

Heavy rain pours down on a red SUV parked on an empty New York City street. Not a single human in sight. A towering streetlight illuminates the downpour and reflects off the car’s roof, while Taylor Swift’s “loml” plays in the background, setting a melancholy mood.