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DC Studiosand Warner Bros.are about to release “Clayface” later this month in theaters, and co-CEO Peter Safran has an optimistic update concerning the gestating “Swamp Thing” movie that had James Mangold attached (was one of the first projects announced as part of their first run of DC films and shows in development).

Women working in South Africa’s film and TV industry still risk losing job opportunities when they speak out against sexual harassment and unfair treatment, while a lack of funding is slowing efforts to make productions safer, says Sisters Working in Film and Television chairperson Pearl Munonde.

Over the course of most of photography’s history, the picture editing process was done in camera, with different color tones available through different film stocks. In the film days, some touchups and color manipulation could be done during film development, with computers enabling further editing once they came along. The takeover by digital cameras, however,…

Adaptations, remakes and reboots are all the rage right now, and there’s often one question that crops up – why?

A seed in AI video generation is a starting number for the model’s noise pattern, and locking it only reproduces a result when the model version, sampler, and hardware behind it also stay the same, which they rarely do.

While skeptics may wave off AI-created content as slop, creators want you to know AI filmmaking is still “f–king hard.”

Sarandon expressed gratitude for finding support among independent filmmakers and international audiences

Backlit by an orange sky, Romeo appears. He smokes on a derelict outdoor stage; the only curtains here the blonde hair framing his face. The moody keyboard of Radiohead’s “Talk Show Host” swells, a 21-year-old Leonardo DiCaprio comes into focus, and a million teenage crushes are launched.

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WHEN FILMMAKER Kanu Behl’s Agrascreened at the Directors’ Fortnight section at the 2023 Cannes Film Festival, it received a five-minute standing ovation. Two years later, it was fighting simply to be seen. It wasn’t that Indian audi­ences had rejected the film. They weren’t given the opportunity to dis­cover it in the first place. When Agrafinally…