Browsing: Cinematography

The camera industry could be on the verge of one of its biggest shakeups in years. Tamron has confirmed that Sony has submitted a proposal to acquire the company, a move that could significantly reshape the third-party lens market if the deal ultimately moves forward.

Hi John, so excited to have you with us today. What can you tell us about your story? My name is John Beatty and I am a Director of Photography/cinematographer based in Glendale, CA.

Venus Optics has opened sales today on the Laowa Aksen Ultra Macro Series — two lenses that, for the first time in the commercial market, allow a camera to zoom continuously through extreme magnifications without ever losing focus. The 5–10x model, in particular, occupies territory that no standard-camera-mount optical system has ever covered: a parfocal…

No, the Pocket 4P doesn’t support 8K or even 6K recording, but its 4K footage looks exceptionally polished. The new telephoto lens is a genuine upgrade that opens up new creative possibilities for content creators. Operation is refreshingly simple, image quality is outstanding for such a compact camera, and the 103 GB of internal storage…

NANLUX has posted up a video called Behind the Lighting of Blockbuster Films with veteran gaffer Julian White.

DJI has announced the DJI Osmo Pocket 4P, the company’s first dual-lens gimbal camera. It’s exciting news for vloggers and content creators, and sounds a great accessory for the summer.

Editor’s note: A version of this story is published in our August/September 2026 print issue. The following is an extended interview with the creators of the television series.

Australian filmmaker Emilie Lowe used Blackmagic Design cameras and DaVinci Resolve Studio to make her 35-minute short film Where Dead Things Grow, which has received festival recognition for its cinematography.

Adolpho Veloso, the cinematographer behind films like Jockey and Mosquito, joined movie buffs for an AMA in r/movies.

Posted Thursday,March 12, 202612:47 pm Éric Baradat (Photo credit: Joel Saget)